Sunday 9 October 2016

On humour

One of the funniest moments that I can recall happened many years ago when I was a university student and doing everything I could, in idealistic twenty-something fashion, to change the world.

I had traveled with a few friends to take part in a mass protest encampment in Canberra against an international weapons exhibition that was being set up on the edge of town. We arrived one morning and pitched our tents, like a few hundred other young folk, in a grassy reserve across the road from the arms fair. Nothing much was planned until later in the day, so we sat around and talked, ate some food and prepared for what protests would be happening.

Among our number was a tall, lean gent we affectionately called Stevie P. He was a few years older than the rest of us, was doing an Honours in politics studying the radical student movements of the 1960s, and loved to talk. Though affable, Steve was a bit edgy and shabby – he wore dirty, knee-holed jeans, had shoulder-length wavy hair and was rarely seen without a can of VB (a cheap beer) in one hand. He’d had a fairly rough working-class upbringing in one of Melbourne’s outer suburbs which took the shine off his idealism and he would bait the more romantic types like me with arguments about the imperfection of what we stood for and the impossibility of meaningful social change.

Stevie also had a nervous condition that made his hands shake. I’d taken little notice of this until that day in Canberra. At some point in the late morning clouds started to gather above us, the sky turned a shade of dark purple and an enormous storm broke, scattering everyone to their tents to avoid the downpour. All except for Stevie – he just happened to be hungry for a peanut butter sandwich. As I ran to gather my belongings I caught sight of him sitting on the ground, trying to spread peanut butter on a slice of bread with hands impossibly flustered. Everyone else’s agitation had accentuated his shakes and the bread was flipping around while he did his damnedest to shove some spread on it. I stopped what I was doing and roared with laughter, so determined was Stevie to have his way in the midst of chaos.

Now and again something will trigger the memory of that moment and it brings a smile. Sure the laughter was at the expense of someone else and their difficulty, but I couldn’t help it. It was a ridiculously funny situation.

Humour has that ability to bring something special to a moment, to lighten and ameliorate whatever is going on. In his 1956 essay Aboriginal Humour, the great Australian anthropologist Bill Stanner related a story of how on a field trip in the Northern Territory an Aboriginal friend of his kept stealing tinned milk from his stores. Eventually it came to a head: “I looked at him and he looked at me. We both knew it was a crisis ... Then he went to the case of empty tins, and held up one or two so that I could see the tiny holes through which he had sucked them dry. He held one tin speculatively, poked at the hole, looked across at me, and said: ‘Rust’.”

Humour doesn’t just make life more bearable, it makes it more whole, more balanced and in tune with the overall conditions of living. It’s telling that the hardest things humans can bear – war, grief, depression – close the door most to humour. Yet even in the middle of darkness unexpected rays poke through, such as when funny stories are told at funerals about the deceased. They demonstrate a kind of completeness of spirit in which joy is not absent even in the most dire of circumstances.

Humour of course can have a sting in it. It can be barbed like a javelin aimed at the powerful, the egocentric and corrupt. In those instances it brings a force of truth that is more irresistible and more palatable to more people because it is delivered in a funny way. Humour invites us to let our guard down and accept whatever is wrapped inside it. And unfortunately it is often used the other way – to belittle the already powerless, to wound and denigrate, and maintain an oppressive status quo.

Like any spark of creative act, humour can be inspired or miss the mark completely. It needs a person to be in the moment, spontaneous, fully alive. I’m a fan of the American stand-up comedian Rich Hall, a master of his craft, who in his routines of funny guitar songs and audience banter laughs as much at himself as at the people he sends up. Humour exposes humanity’s foibles, and in doing so is able to acknowledge without rancour the quirks and imperfections we all share. We can all do with just a little bit more humour in our lives.

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